We are committed to developing and producing new Canadian work that complements and enhances our focus on what is traditionally defined as the classical repertoire.
While we’re open to all forms – drama, comedy, adaptations, musicals and family-friendly fare – we’re especially interested in ambitious, large-cast plays that articulate the great themes of classical theatre. We also favour plays that feature a female point of view and offer sizeable opportunities for female actors, and that reflect the cultural diversity of life in Canada today.
Although Shakespeare lies at the core of our programming, we are unlikely to be interested in new work inspired by his plays or that might be defined as a “new take on” or a “revisioning of” the original texts.
At any given time, we are developing and supporting about 15 new projects. This includes seeding of first drafts, commissions, dramaturgical feedback, readings and in-house workshops. We put the playwright at the centre of the process, actively participating in the development of his or her work.
Each year, we invite up to eight playwrights to spend three weeks at the Festival in September. Free to work on any project of their own devising, they can receive dramaturgical feedback if they wish, attend our performances and meet with members of our artistic staff. They receive an honorarium, plus travel and accommodation costs.
We offer this opportunity to artists from across the country, from diverse communities, and at all stages of the playwriting life: emerging writers, mid-career practitioners and senior artists. Since its inception in 2008, the Retreat has hosted more than 50 writers.